Mexico Daily Dispatches
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Teotihuacan Today I headed out with the tourists to the remains of a fascinating early civilization, a culture that predates the Aztec by 500 years.

I’ve answered some of your e-mail questions below.


 

Today I rode north out of Mexico City with my friend Jesús López to visit the Teotihuacan archaeological site. There’s something to ponder about being in one of the great cities of the world, such as Mexico City, and driving only a short distance to the remains of another great city of a bygone era. The question about Teotihuacan’s past is still not fully answered, and probably never will be. Who were these people who built such magnificent structures and what caused them to fade away?

We continued the long drive through the northern side of Mexico City, which is mainly industrial and surrounded by a monotonous honeycomb of cement block houses and small shops. Even though it was late morning, people were still gathered at every bus stop to be threaded back into the core city. The factory zone passed, but the homes continued on as far as the eye could see, climbing the hills that now rose in front of us. Some landowners have built tall concrete walls along these hills to prevent further encroachment. We finally arrived at Teotihuacan’s east side, driving by dozens of people trying to flag us into their roadside restaurants.

As Jesús and I entered the site and walked past the gauntlet of people selling obsidian statues, knives, and silver necklaces, I realized that I could do little to describe this mysterious place in words. I would let my photographs do the work. And, besides, places that raise more questions than answers are disturbing. Teotihuacan is disturbing. Almost as disturbing as the many vendors that crowd its grounds and dangle trinkets in your face. You can’t blame them, because, as Juan Perez, a vendor of obsidian knives said, “It is my job.” They have to survive and I would do the same.

Jesús and I climbed to the top of the Sun Pyramid, along with a steady stream of people speaking Spanish, French, German, and English. I wanted to ask what was on their minds as they looked out across the plain toward the Moon Pyramid, but decided not to invade their space. After all, I think that most of us don’t really feel the impact of what we’ve seen until later.

It’s after midnight now, Friday morning, and I’m finishing this dispatch as a thunderstorm cleanses the city. Already the trip to Teotihuacan has me drawing parallels. I wonder how much longer Mexico City can continue to grow and not unravel. Will it, like Teotihuacan, become only a page in history in some future millennium–a shallow footprint left behind for others to see, and wonder what happened?


           

 

Visitors climb to the top of both the Moon and Sun pyramids. The Pyramid del Sol, or Pyramid of the Sun, is 210 feet high and one of the largest pyramids in Mexico. Just 49 kilometers from the heart of Mexico City, it is one of the most visited of Mexico’s ancient sites. During the spring equinox, huge crowds come to Teotihuacan.
 

  

The Teotihuacan (meaning place of the gods) archaeological site has numerous vendors that sell obsidian, onyx wind chimes, necklaces, flutes, and harps. Sandra Carrillo is the woman in the picture. Juan Perez, vendor, admits that too many vendors can make for an unpleasant experience for visitors to the site.
 

This is the Pyramid de la Luna, or Pyramid of the Moon, looking north from the Avenue of the Dead. The Teotihuacan archaeological site dates back some 2,000 years. It is estimated that nearly 200,000 people lived nearby and built these religious structures.
 

  

Looking north to the Moon Pyramid from the 210-foot-high Pyramid del Sol, or Pyramid of the Sun. The two are connected by the Avenue of the Dead. Experts believe the city’s builders came from the eastern part of Mexico 2000 years ago. From studying the murals, they think their religion was centered on the rain god, Tlaloc.
 

Many Teotihuacan murals exist on the site. This painting depicts a priest during a ritual procession, possibly in worship of the rain god, Tlaloc. The paintings give insight to these ancient people, who mysteriously vanished, leaving only ruins to be discovered by the Aztecs, whose civilization followed.
 

  

Visitors climb the steep narrow steps to the top of the Pyramid del Sol, or Pyramid of the Sun.
 

Viva Mexico! Awesome web site. I'll be checking it out every day. Sounds like you have a pretty cool job. I hope you're diggin' it.
I do interactive CD-ROMS at the University of Illinois. Same technology. Different location.

I guess it's too late to get a long shot of the statue of independence?
I'm just starting a book and CD-ROM project based on the travels of a woman from Maywood, Illinois. I have a 40-page photo album (approx. 175 hand-tinted photos) of her first trip to Mexico on her Harley-Davidson motorcycle. In 1937, solo!

In it is a photo of Paseo de la Reforma and the Estatua de la Angel de la Independencia. The statue is the tallest structure in site. Sure looks different now. That's why I liked your closeup of the angel, but would like to see a long shot. To compare. Guess I'll have to go take the photo myself! If you're ever in Champaign-Urbana or even Chicago and have some time to check out this photo album I'd love to show it to you. All the best and safe return, Rick Langlois


Thanks for the e-mail, Rick. I’m going to let you come down and get your own picture of the Independence Monument. I’m a bit unsure about this, but I think the original monument was toppled during an earthquake many years ago. This might explain the difference. Also, I’d love to see the photos from your project.



Hello, I wish you the best on your journey. I have a few questions for you. 1. Are there any special permits required to move photo equipment over the border? I've read before that permits are required for motion picture equipment and professional still equipment. Is this true? 2. What type of equipment are you using right now? 3. How do you get your film back to Washington? (un- X-rayed?) Do you process on location? I ask these questions because I will be visiting Mexico in a few weeks on a photo assignment also and these questions have been on my mind. Again I hope this trip is all wonderful experiences. Paul Boyer


Well Paul, I’ve passed in and out of Mexico several times and not had any problems. Only once when I got the “red light” did they question the several hundred rolls of film I had. I would at least take receipts with you and maybe fill out a form the U.S. customs folks have for camera equipment. If you have a reasonable amount of equipment that looks used, I doubt you’d have a hassle. But as far as film and x-rays, I’ve never had any x-ray problems when I clear airport security. If I have to pass security several times with the same film, I strip them out of the containers and put them in clear freezer bags so the guards can see the film during a hand-check.

As far as my equipment: Right now I am using all digital gear. A Sony DX1000 video camera is what I’m using and I mostly use it in still photo mode. I grab the images with a video digitizer connected to my Apple laptop. I use a digital tape recorder to do the audio work. I transmit back to Washington via one of the online services after I do all the editing and sound mixing and compressing the sound in Real Audio and j-peging the images. Good luck on the trip. This is one incredible place.



Richard, if you like to see more places from Mexico City, you should go to the “Mercado del Chopo,” which is located near the "teatro del ferrocarrilero.” Another place (but you should go in the night) is Garibaldi. . . just go, and you’ll see the real fun in the city. Bye. Menendez H. Herbert


Thanks for the tips, Menendez. I plan to go to Garibaldi Friday night to record the music, take pictures and sample some of the refreshments.

 
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