Picture of desk with dark blue print, brushes, and gold leaf for gilding.

How notes from the mothers of astronomy were reclaimed in art

On glass negatives of distant starscapes, women scientists analyzed discoveries. Their work was nearly erased, until an artist saved it.

Artist Erika Blumenfeld chose materials forged by stars. Gold—now known to be a product of stellar explosions—gilds the marks of Harvard College Observatory’s “women computers.“ The deep blue paper bearing those marks is a cyanotype, its inky color the product of two separate chemical-emulsion applications each exposed to sunlight for 20 minutes.
Photograph by Jake Eshelman

At the Harvard College Observatory in Cambridge, Massachusetts, three floors of metal cabinets house more than 550,000 glass plates, most of them eight by 10 inches, a photographic negative format dating from the mid-19th century. These plates recorded astronomical data from telescopes trained on celestial regions and objects. One side bears the print of light from distant stars; the other side had been marked with equations, arrows, circles, letters, and other notations by women who were hired to interpret the data. 

From 1885 until the 1950s, hundreds of so-called women computers studied the plates. They discovered how variations in brightness of specific stars revealed their energy output, a relationship that provided a way to measure great distances.

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