Credit: Will Clayton.
Credit: Will Clayton.

Today marks the first anniversary of Phenomena, the blog network that I started with Carl Zimmer, Virginia Hughes and Brian Switek a year ago. It’s been a privilege and a delight to be part of National Geographic. Our benevolent overlords—special thanks to Jamie Shreeve and Brian Howard—have treated us very well, given us a lot of exposure, and (as is important with blog networks) relaxed and let us do our thing without any impositions. And my esteemed co-bloggers, Carl, Ginny and Brian, continue to set the bar for what good science writing should look like; they inspire me to do better.

I’ve felt under much less pressure here, so I’ve felt able to devote more care and attention to each individual post. Excluding the Saturday link-fests, the occasional personal posts, and brief pointers to other work, I have written 191 pieces since joining Phenomena. That’s less than the previous year’s total of 231, but I’ve tried to chuck in a lot more depth and reporting into each post, so hopefully the trade-off is a positive one.

Thanks to everyone who read my work this year, and I hope to see you all again next year.

Below, you’ll find a list of my 20 most popular posts, by traffic, since joining Phenomena. A few things of note:

As per usual, even though I have covered stories of more scientific import, discoveries with more obvious practical implications, and studies with potential for affecting people’s lives, they are largely unrepresented here. Instead, we have a motley collection of sex, violence, and quirkiness. I love my readers.

Also, I’d say that my average post is around 1,000 words long, but several were much longer. The one about the frog resurrection (#6) is around 1,900 words long. The one about Lilly Grossman (#14) is 3,100 words long. Remind me again how long content doesn’t work online and how blog posts need to be pithy and short?

And finally, if you want to sing Happy Birthday to Phenomena, I recommend playing the video below, and saying the word “Phenomena” at the obvious moments.