Native Americans using the photographic tintype process

Reclaiming an old medium to tell new stories of Native Americans

These artists are using a historic photography method to shape modern-day narratives.

Left: A citizen of the Arikara Nation wearing bearskins poses for a portrait by photographer Edward S. Curtis in the early 1900s. Right: Andy Everson, a citizen of the K’ómoks First Nation, poses for a portrait by Will Wilson while dressed as a K’ómoks Imperial Stormtrooper.
Photograph by Edward S. Curtis (left) and William Wilson (right)

The portraits' revealing details—a baseball cap, tank top, wristwatch, down vest—contradict their old and withered appearance. What at first seem to be historic photographs are actually contemporary tintypes, images from respective projects about Native Americans from artists Will Wilson and Kali Spitzer.

Although their work employs an archaic medium, Wilson and Spitzer’s photographs have much to say about present-day Native American life. Wilson, a citizen of the Navajo Nation who is also of Welsh and Irish decent, sees his project as a collaboration with indigenous artists, arts professionals, and tribal leaders who, through their sessions, actively engage and dialogue with him. His evocative photographs counter longstanding stereotypes and distortions, contributing to “a re-imagined vision of who we

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