By Whitney Johnson, Director of Visual and Immersive Experiences
Matthew Abbott took one of the most widely shared images of Australia’s devastating bushfires, but he went to bed first before sending the picture via WhatsApp to a photo editor the next morning, New Year’s Day.
Then that morning, he went out to spend time with his wife, Anna-Lena, an editor for Der Spiegel.
It wasn’t that Abbott was lackadaisical about capturing a dramatic life-and-death situation the day before—it was just that there had been little international interest in what he’d done on the fires in the weeks previously.
This time, however, he got a message from a New York Times editor; if he could send a high-resolution version of the image, they could get it on the front page. Within hours, Abbott’s image (above) became his most impactful in his 14 years of photography. It was on the covers of several British newspapers and put on Instagram by Greta Thunberg and Leonardo DiCaprio.
Abbott had been taking photos with his Nikon D5 in a community called Lake Conjola, after driving in as fleeing residents headed the other way. In between images of a burning home, he helped neighbors who were hosing down their own homes by moving garbage bins away from their buildings. Suddenly he spotted a group of kangaroos, and one of them—panicked, frightened—that was heading toward the burning building.
“It would have been safer for it to run in the other direction, but it just sort of darted past me and the past the house,'' Abbott told my colleague David Beard on Thursday. (Abbott said the animal bounced past the flames to at least temporary safety).
Why is the image so popular? The Sydney-based photographer surmises the distressed, confused kangaroo—Australia’s iconic animal—symbolizes the nation’s suffering in what some have called a harbinger of the dangers of a warming world.
Abbott (@mattabbottphoto on Instagram) has lost weight and has had breathing issues covering the blazes and firestorms, the record heat, and the longest drought recorded since European settlement on the continent. Among the charred landscapes are places where he vacationed as a kid. Heavy rain is not expected until March, and he (with better breathing equipment) will keep covering the story.
“I'd be lying if I didn't say it was draining,” Abbott says. “I feel a strong conviction that this is incredibly important, and it's a wake-up call for Australia—and the world."
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Your Instagram photo of the day
Ready for church: Every Sunday the villages of the Maramureș region in Romania transform, as people put their best clothes on and spill out onto the streets for church service. These small, rural communities have managed to preserve their cultural identity in spite of the fact that many young people choose to migrate to cities in Western Europe in search of jobs.
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Overheard at Nat Geo
A photo with impact: Photo Editor Kathy Moran mentioned to me Wednesday how one picture—of a shepherd boy grieving over his sheep that had been killed by a vehicle—inspired an outpouring of help. William Albert Allard, who took the 1981 image from Peru, said this about the generosity of Nat Geo readers after its publication: “With the thousands of dollars they contributed, his family’s sheep were replaced, a water pump was installed in their village, and the remaining money went to a fund for Andean schoolchildren. My picture of Eduardo didn’t end a war, it didn’t raise millions toward finding a cure to some disease, but it did make a positive difference in the life of one family living in a world away from most of us, where life is not easy.”
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The big takeaway
Just joy: Floating on dreams and whispers, girls from a West Bank village cool off in the salt-laden waters of the Dead Sea. With its main tributary, the Jordan, at less than a tenth of its former volume, the inland sea—already the lowest place on Earth— is receding four feet per year, and its 30-mile length is only half of what it was a century ago.
Explore: More photographs from the 2010 feature "Parting the Waters."
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One last glimpse
From the archives: “Theological students take an examination at el-Mardani” (Published October 1922). “What I love most about this photo is how relatable it is,” says Sara Manco, Nat Geo’s senior photo archivist. “Everyone is evenly spaced and facing the same direction, which is reminiscent of taking exams in school.” Only these students are sitting in a 14th century mosque in Egypt, along the Nile, that dates back to the Ptolemies. Donald McLeish was not an official staff photographer, but his photos accompanied many National Geographic articles from the early 20th century.
See: 18 stunning photographs from Egypt