a woman in a dress walking through a field

Angel Woman, 1979. From the series "Those Who Live in the Sand."

Photograph by Graciela Iturbide

An Acclaimed Photographer Finds Poetry in the Ordinary

With a curious and compassionate eye, Graciela Iturbide finds compelling moments in her everyday surroundings.

ByAlexa Keefe
Photographs byGraciela Iturbide
June 17, 2016
6 min read

"The camera is just a pretext for knowing the world. " —Graciela Iturbide

Graciela Iturbide has dedicated herself to knowing the world through her camera since the early 1970s. She was a student of cinema in her native Mexico City when she switched to studying photography under the mentorship of Manuel Alvarez Bravo, considered one of the founders of modern photography.

thin tree branches that look like dendrites

Vevey, Switzerland, 2009

Photograph by Graciela Iturbide
a wall covered in vines

Oaxaca, Mexico, 2000

Photograph by Graciela Iturbide

In the late 1970s she began photographing people in her native Mexico—first the Seri Indians in the Sonoran Desert, then the Juchitán people in Oaxaca. She embedded herself in these communities, building a level of complicity between her and her subjects.

woman with iguanas on her head

Our Lady of the Iguanas, 1979. From the series "Juchitán."

Photograph by Graciela Iturbide

Her approach is intuitive. Asked what inspires her as a photographer, she replies, "Everything that surprises me in life." She photographs almost exclusively in black and white, using natural light. "I am interested in what my eyes see and what my heart feels," she says in the Art21 series "Investigation."

horns hung on a tree, black and white

Texas, United States, 2000

Photograph by Graciela Iturbide
leafless trees in a landscape

Yucatan, Mexico, 1990s

Photograph by Graciela Iturbide

While this lends a poetic quality to Iturbide's images, she considers all photography to be documentary. It's just that sometimes what you're showing can be poetic, she says, and other times it is a more straightforward testimony.

grass peeking through snow in black and white

Texas, United States, 2000

Photograph by Graciela Iturbide
stones and succulents

Lugo, Italy, 2005

Photograph by Graciela Iturbide

Her personal connection to the world around her has most recently manifested itself in photographs of landscapes—abstractions of trees, vines, and animal skulls tucked into the crook of a tree branch, where the human impact is felt but not seen. "All that surrounds us is life, so I am very interested in both human beings and nature as the same thing, because we humans, we are not able to live without nature," she says.

a silhouetted woman surrounded by birds

Cemetery. From the series "Birds." 

Photograph by Graciela Iturbide

These images have recently been curated into an exhibit called "Naturata," currently on display at the Look3 Festival of the Photograph in Charlottesville, Virginia.

a succulent plant under an umbrella

Oaxaca, Mexico, 2000

Photograph by Graciela Iturbide
wooden scaffolding and cacti

Oaxaca, Mexico, 2000

Photograph by Graciela Iturbide

The idea for this originated with a visit to a botanical garden in Oaxaca, Mexico, in the early 1990s."It caught my eye how the gardeners who looked after [the plants], put the veils, ties, and in this way I felt that these were plants in therapy. I have gone back to the botanical garden, and now those plants are wonderful." Traveling to the U.S. and Italy after that, she began keeping an eye out for other plants in a healing or transformation process, something that she finds, she says, "very powerful and very human."

Eyes to Fly With, 1991. From the series "Birds."

"Naturata" will be on exhibit through July 22 in Charlottesville, Virginia, as part of the Look3 Festival of the Photograph. You may see more of Iturbide's work on her website.

Alexa Keefe is a Senior Photo Editor for National Geographic