I’ve never met John McPhee, but he’s always been lurking around my office. I’ve got a number of his books, and I always keep an eye out for his latest piece in the New Yorker. I can’t count the number of times reading a few lines of his stuff helped get me revved up again for writing.

Recently, Alexis Madrigal of the Atlantic invited me to participate in a Neiman Storyboard series called “Why’s This So Good?” Writers pick out a good piece of long-form journalism and try to figure out what makes it so. Having just revisited out McPhee’s sprawling 1987 epic on engineering the Mississippi, “Atchafalaya,” I chose it for my object of study. Here’s my