Los Glaciares National Park, Argentina"The weather in Patagonia is constantly changing, so when I arrived in the park, I didn't know what to expect. Sure enough, it started snowing. It made the scene all the more mysterious, by hiding the surroundings in thick fog so that the only subject left in the frame was this great block of ice," says photographer Guillaume Flandre.
Photograph and caption by Guillaume Flandre, 2018 National Geographic Travel Photographer of the Year

Moody Photos of South America's Natural Wonders

See how this photo contest photographer found a rainbow of color and emotion on his South American road trip.

BySarah Polger
Photographs byGuillaume Flandre
May 11, 2018
5 min read

Moody landscapes, otherworldly topography, and ever-changing weather lured photographer and 2018 Travel Photographer of the Year contest entrant Guillaume Flandre to South America to explore the Patagonia region, Atacama Desert, and other wonders throughout Chile, Argentina, and Bolivia.

The omnipresent clouds that deter some travelers instead encouraged Flandre to capture striking images of his experience. He eventually named the series of photographs he made, Fire and Ice. “A theme started to show … the contrast between the hot red desert, the cold blue glaciers, and wet, green Patagonia. The trip was a fireworks-display of colors and landscapes I had never seen, or even imagined existed,” Flandre says.

a llama on a hillside near Laguna Colorada, Bolivia
Laguna Colorada, Bolivia

"The llama was in one of the only places where the sun was shining—making it the center of attention."

a man on a hill in the Valle de la Luna, Atacama desert, Chile
Valle de la Luna, Chile

"Watching the sunset in the Valle de la Luna in the Atacama desert doesn't happen every day and I stayed in the park as long as I could. I noticed someone walking down the hill and they added a human element to the amazing landscape."

Emotional Landscapes

To capture the emotional weight of the unpredictable weather and the contrasting light that filled the land, Flandre underexposed his images to enhance the already temperamental climate. “These regions naturally have changing weather, which creates great contrast between dark clouds and parts of the land that are very bright. It is one thing to hear about the force of nature, about extreme conditions, and it is another thing to actually experience it firsthand.” Flandre trudged through cold, sharp winds and torrential rain to camp, while reflecting on the region ensconcing him. “It was one of the coldest and longest nights in my life, but looking back, it was totally worth it,” Flandre recalls.

glacier ice at the Perito Moreno, Los Glaciares National Park, Argentina
Perito Moreno Glacier

"I got close to the ice to see how impressive it was. The fog made it so I couldn't see what was beyond the glacier, creating the impression that there was nothing but ice stretching to the horizon."

 

Aerial picture of a person standing on salt flats of Salar de Uyuni, Bolivia
Salar de Uyuni

"The salt flats are very popular and people leave traces wherever they go—I noticed from afar these tire tracks made by a SUV. This is one of my very first picture taken with a drone. I knew that with the sun rising, a long shadow would be cast on the ground, making the picture look like a giant clock."

 

Prime Time

With the goal of traveling light, Flandre packed a camera and prime lenses for his adventure. “I am a big fan of prime lenses. They produce great images, but are not a popular choice when traveling for good reasons—having to change a lens while keeping it clean and not damage the sensor is hard.” Flandre suggests always pointing the camera sensor at the ground when changing lenses and tucking yourself under shelter from the elements—even if it’s just the cover of tree branches. And if unexpected rain arrives while you’re exploring? “Wrap your camera in a plastic bag—a quick fix that can save a lot of pain,” the photographer says.

the salt flats the Salar de Uyuni, Bolivia
Salar de Uyuni, Bolivia

"I climbed up the cactus island at sunrise, so that I could see the desert from above and found the salt reflected the light that it almost looks like a starry sky."

Photograph and caption by Guillaume Flandre, 2018 National Geographic Travel Photographer of the Year

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Flandre has photographed professionally for four years, focusing on commercial food and street photography. To keep evolving, he pushes himself to take on new photographic challenges while traveling. “I'd encourage people to step out of their comfort zone and dare to go to remote places. It's always worth it! I have a different perspective every time I photograph my travels.”

See more of Guillaume Flandre's photography on his website and on Instagram at @gflandre.

Think you have the winning photo? Learn how you can enter the 2018 National Geographic Travel Photographer of the Year contest. Don't delay: The deadline is May 31.

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