Why we dedicated an entire issue to Indigenous Futures

“Bringing more Indigenous perspectives into National Geographic provides a new level of richness to the work.”

Artist Cannupa Hanska Luger created the work “Future Ancestral Technologies: New Myth” shown on the cover as part of a series that uses installation, video, and performance art to tell an ongoing narrative about combating societal ills. Set in an undetermined time, the video shows heroic “monster slayers” bringing water to a barren landscape. Learn more about the cover here.
Photographed by Gabriel Fremin
ByNathan Lump, Editor in Chief
June 28, 2024

One of the things I love most about working at National Geographic is the continual learning. We spend our days looking into what is fueling new thinking in a wide variety of fields. It’s our hope that by staying on the leading edge, we in turn will provide you with stories that provoke thought and advance your own knowledge.

Globally, Indigenous communities have always produced forward-looking models of innovation and sustainability, though these have often been overlooked. I became more acutely aware of this soon after I joined National Geographic in 2022. We already had plans to publish a story, funded by the National Geographic Society and the Climate Pledge, from photographer Kiliii Yüyan, about the promising ways Indigenous peoples are leading conservation initiatives. But the more I immersed myself, the more I came to understand what Indigenous communities know: Their creative thinking extends well beyond conservation, into everything from language to film to fashion and art. And the idea for this special issue was born.

You’ll find three main types of features in this project: Five Environment stories, anchored by Yüyan’s photographs, showcase different ways Indigenous communities are protecting and preserving their environment and traditions. Culture pieces bring to life how they are driving progress, by leveraging intergenerational teachings as well as new technology and tools. And Essays put Indigenous creators and leaders front and center, examining how they and others are advancing our thinking.

A note about the term Indigenous. Throughout these stories we’re using the simplest and broadest definition: related to the original inhabitants of a certain geographic location.

There are many things I’m proud of in this project, but first among them is that nearly all the content was produced by Indigenous contributors, many of them working with us for the first time. We, like many publications, have an imperfect record of covering Indigenous cultures, and generally have done so from an outsider’s view. Bringing more Indigenous perspectives into National Geographic provides a new level of richness to the work, which we believe meaningfully deepens our collective knowledge and understanding.