a black bride in a white dress and a white groom kissing her hand wearing a black suit
Halil Binici kisses the hand of his bride, Jade Calliste-Edgar, after their wedding on October 6, 2017. The newlyweds “went right back to work” that day, Jade says, but planned to combine honeymoon trips with visits to her family in Florida and his in Turkey.

The Many Colors of Matrimony

Marrying across racial and ethnic lines has become more common, and more accepted, in the 50 years since a landmark U.S. Supreme Court ruling.

ByPatricia Edmonds
Photographs byWayne Lawrence
March 12, 2018
6 min read
This story is part of The Race Issue, a special issue of National Geographic that explores how race defines, separates, and unites us.

Halil proposed to Jade by writing WILL YOU MARRY ME in the sand on a beach. Both wanted a small, frugal wedding. Jade wore a Rent the Runway dress for their vows, witnessed by a few friends, at the city clerk’s office in Manhattan.

Jade Calliste-Edgar is an African-American woman raised in Florida. Halil Binici is a Turkish man raised in Istanbul. The two 23-year-olds live in New York City, where Halil works as a cameraman and Jade is in graduate school, studying to be a mental health counselor. During two days in fall 2017, they were one of numerous pairs of mixed race or ethnicity who tied the knot at the Manhattan marriage bureau, then happily posed for National Geographic photographer Wayne Lawrence.

Jade and Halil also are part of a cultural shift. In 2015, 17 percent of U.S. newlyweds had a spouse of a different race or ethnicity, according to a Pew Research Center analysis of Census Bureau data. That’s roughly a fivefold increase since 1967, when the U.S. Supreme Court’s ruling in Loving v. Virginia made interracial marriage legal. Simply put, Pew reported, “Americans have become more accepting of marriages involving spouses of different races and ethnicities.”

a white bride in a lace white dress and a brown man in a gray suit
New York City residents Stephanie Mansfield and Shiva Nahappan have been together seven years, including time spent living in Europe and Asia. At home they celebrate both Christmas and Diwali, the Hindu festival of lights.
an Asian woman in a white shirt and pants holding flowers, a white groom kisses her
Nathan Reese is from California; his bride, Connie Wang, is from “Minnesota via Jinan, China,” he says. Though they had a larger wedding later with family and friends, Nathan reports that getting married first at city hall was “surprisingly delightful … like an extremely joyful DMV experience.”
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Amanda Moore-Honigsberg and Gregory Honigsberg first met in 2015 at work, where she was a chef and he a server.

The Loving decision invalidated state laws banning interracial marriage, which 17 of the 50 states still had at that time. Changing the law was a start—but it didn’t “necessarily do anything to change people’s minds,” says Syracuse University law professor Kevin Noble Maillard, who writes frequently about intermarriage.

Maillard suggests that the growing acceptance of interracial marriage in the past 50 years—and of same-sex marriage in the past dozen years—has been influenced by shifting social norms and by public and media validation. Partners of different races or ethnicities are nothing new, he notes: “But it’s very different when there’s public recognition of these relationships and when they become representations of regular families—when they’re the people in the Cheerios commercial.”

Jade says that she and Halil haven’t experienced overt hostility when they’re out together, though sometimes there are dirty looks or muttered insults. Both of them feel that by being a couple they’re promoting important principles: “That we’re all human beings and there’s nothing inherently different between us.”

That’s the point of the meme that the two posted on Facebook shortly before they married. It’s two photos side by side. The first shows two eggs, one brown shelled and one white shelled. The second shows the eggs cracked into a skillet, looking very much alike. The caption: “Let that sink in for a minute, America!”

Wayne Lawrence is a widely published documentary photographer whose stated focus is “communities otherwise overlooked by mainstream media.” His work has been exhibited at galleries and institutions including the Bronx Museum of the Arts.