Trapped inside the Taliban's Afghanistan
Women have been barred from most public spaces. Afghan citizens are being deported by nearby countries. And marginalized ethnic groups face persecution and violence. These are their stories.

When Iranian photographer Hashem Shakeri returned to Kabul in August 2022, it had been less than a year since his first visit to Afghanistan’s capital. And it was less than a year since the Taliban, driven out two decades prior by a U.S.-led invasion, had seized control of Afghanistan. He found himself standing in what already felt like a different country. “The sheer depth of this darkness, the uncertainty, and the inversion of everything was deeply unsettling to me,” he recalls.
Shakeri’s project, aptly titled “Staring into the Abyss,” is a collection of deeply moving visuals capturing the slow-motion decay of dreams amid a rapid societal collapse. Afghanistan is, in many ways, a country not unlike his own. Growing up in Iran, with a shared heritage and culture, and even a common language, gave Shakeri a unique perspective on both the disintegration of what was and how the new regime was affecting the complex and intersecting echelons of society.
“All the achievements that the people of [Afghanistan] had struggled so hard for were suddenly erased, taking them back to square one, or perhaps even before square one,” Shakeri says.
(A journey across Afghanistan in the 1960s)
Shakeri’s images stand as a testament to this loss, visible in the wider landscape of an Afghanistan rife with poverty, unemployment, and starvation. They also seek to highlight the stories of individuals, especially women and members of marginalized groups, who lost their rights and freedoms as the Taliban weaponized their very identities against them.
The result, as illustrated in Shakeri’s photographs, is a country seemingly stuck in time, its people living in a liminal space between what once was and what could have been. “It [is] like a black hole of ignorance that consumes all light and holds it within, with no clear end to how far it will devour,” Shakeri notes, describing the abyss that is now the Taliban-controlled Afghanistan.
(Inside one of Istanbul's most ancient quarters)
Shakeri hopes his images will foster empathy by humanizing communities that have survived years of conflicts, invasions, colonization, and extremist fundamentalism. “When audiences become familiar with the details of people’s lives and personalities, they no longer see them as distant, unfamiliar ‘others.’ Instead, they recognize their shared humanity,” he says.
Names marked with an asterisk in the captions have been changed for reasons of safety. Ages given reflect when the photographs were taken.




















