marble statues of women

Museums' treasures endure, but how we see them may change

As Europe’s museums emerge from lockdown, visitors experience unique moments of peace amid the new “normal.”

Antonio Canova's The Three Graces (1812-1817) cling together in an empty rotunda of Milan's Galleria d’Italia. The photographs here were captured in late April and early May of this year when Italy's museums were under lockdown, capturing the unique, fleeting solitude many museum visitors are now seeking out.

At 9:00 sharp on a recent June morning, Peter Campbell stood at the entrance to Naples’ famed National Archaeology Museum. Although the museum had been officially reopened for several weeks since Italy lifted its lockdown, and in normal times can host thousands of visitors a day, the minutes ticked by as the grand, salmon-colored building remained shut. A couple arrived. After 15 minutes, the doors swung open to reveal a guard visibly surprised to see three waiting guests.

Campbell’s visit had particular urgency. An American archaeologist with the British School at Rome, he would be leaving Italy in just weeks for a new job in the UK. So as many pent-up Neapolitans emerged from lockdown to seek beaches

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