Notre Dame portraits celebrate restoration with vintage photography

Inspired by a portrait of the cathedral’s 19th-century architect, this photographer set out to connect the past with the present.

Notre Dame’s decorative grotesques, or chimeras, perch on the bell towers and on the high gallery between them. They were added to the medieval cathedral when it was restored in the 19th century by the architect Eugène-Emmanuel Viollet-le-Duc. Van Houtryve took this and other pictures in this article using a 19th-century camera and glass plates. 

We learned to restore the past at the same time and place that we learned, through the miracle of photography, to capture the present: in the second quarter of the 19th century, in France. Scroll to the bottom of this story and you’ll see one bit of evidence—the first photograph ever taken of Notre Dame Cathedral in Paris. That daguerreotype, made in 1838 or 1839 by Louis Daguerre himself, shows a telling similarity to the church as it looks today, after the catastrophic 2019 fire: There’s no spire.

The spire that burned in 2019, along with Notre Dame’s entire roof and its oak-timber attic, did not yet exist in 1839. It was built during a two-decade long restoration of

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