How the world sees the COVID-19 pandemic

Photographers capture intimate images of isolation as the virus affects life from Spain to South Africa, England to Italy, Norway to New York.

Milan, Italy

An early hot zone of COVID-19, Italy was the first European country to order a near-total lockdown. In their apartment, photographer Camilla Ferrari and her partner noticed how images of buildings outside began to merge with scenes inside.
Photograph by Camilla Ferrari

When the world seems unkind, “home is the place where … they have to take you in,” wrote the poet Robert Frost. But in the era of a deadly virus that requires self-isolation for weeks on end, homes have become much more than sources of comfort and familiarity. We’ve turned them into schools and offices, centers of entertainment, and hot spots of tension. If boredom, stress, and anxiety could be harnessed for energy, they’d power the planet.

Photographers around the globe have captured images of this strange time, when we’re separated from each other by walls and windows. Seen together, the photos make us wonder, what even is a home? In a world plagued by COVID-19, the answer has increasingly become a measure of privilege. Do you have a home? Do you like being there? Are you confident you’ll be able to stay?

The images also show the different ways we respond to crisis and—even more revealing—what we consider essential. Age, location, and sometimes faith tend to influence one’s level of concern and feeling of vulnerability. Consider the Italian couple under self-imposed house arrest. The beachgoing Brazilians eager for time outside. Those starved of nature in urban dwellings in South Africa, New York, and Russia, who find balconies, fire escapes, anywhere at all, for gasps of wild air.

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